Some aspects of these fingers feel a little unnatural. I'm trying to find economical fingerings that fit the hand well. Keeping finger 2 on the Bb and then trying to reach 5 up to the G of the Eb chord seem an even more awkward option to avoid. Bb major, bar 4, last note, I push my hand in a bit to get 1 onto the Bb, it a little awkward, but it gets my hand back into position for the repeat and the Eb chord.Bb major, bar 1 to 2, thumb on a black key is sometimes avoided, but in this case 1 and 3 are both on black keys in bar 1 so the hand is sort of pulled up onto the black keys together, then in bar 2 fingers 3 and 5 drop down to white keys pulling away from the black keys, I then switch to finger 2 for the Bb, because it naturally reaches the black key easier that the thumb.Better to contract my hand than to reach finger 4. Is that kind of shift in position OK or standard? It seems better to hold 5 on G from bars 3 to 4, get the rest of my finger on the C chord, and then switch to 4 on the G. C major, bar 4, I keep my finger 5 on the G for the first note and sort of contract my thumb (1) in for the C.a few details about how I am approaching things: C major and alternate B flat fingerings are. That same fingering seems to work in B flat major too, but I also tried an alternate fingering. I think my fingering for C major is straight forward. I want to adapt the fingering for all 24 keys and both hands. Recently I looked at my fingering for something very basic: primary triads. I'm trying to re-train my hand to use better fingerings.
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